The spoon emerged from a direct dialogue between the hand and the material, serving as an autonomous complement to the chalice. The silver, subjected to rhythmic forging, lost its linearity in favor of organic fluidity. As with object 156, the initial inspiration of sound modulation gave way to a subconscious image of nature.

The sculpture was crafted in sterling silver 925. The entire piece was unified through the Florentine finish technique, which scatters light and emphasizes tool marks, merging the spoon with object 156 into a coherent, totemic whole.